TV Production Resume Samples

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CM
C Mraz
Caesar
Mraz
358 Feest Bypass
New York
NY
+1 (555) 632 5588
358 Feest Bypass
New York
NY
Phone
p +1 (555) 632 5588
Experience Experience
San Francisco, CA
DWA TV Production
San Francisco, CA
Schultz, Ortiz and Mante
San Francisco, CA
DWA TV Production
  • Working knowledge of Linear Workflows
  • Work with partner studios to create and implement assets
  • Work with partner studios to develop and implement assets
  • Create animations and assets that adhere to the look of established shows
  • Work closely with partner studios to ensure all Character TD work (both creative and technical) is adhered to while ensuring scheduled deadlines are met
  • Explore new looks and perform RnD for new show look development tasks
  • Perform technical work in support of new and existing FX processes/tools being used in production at DWATV and Partner Studios
Detroit, MI
DWA Tv-production Coordinator
Detroit, MI
Mueller LLC
Detroit, MI
DWA Tv-production Coordinator
  • Performs artist check-ins to determine status of the work in the department
  • Understands the department and works with Supervisor to maintain the department schedule
  • Provides communications to the crew via email, one-on-one meetings and during crew meetings
  • Manages day-to-day Nile inputs and extractions
  • May attend production meetings and provides departmental updates
  • Assists Production Supervisor with maintaining quotas, deadlines & inventory, ensuring departmental productivity goals are consistently met
  • Safeguards procedures to ensure workflow from one department to the next is as seamless as possible
present
Philadelphia, PA
Controller, International Tv Production
Philadelphia, PA
Klocko, Nienow and Thiel
present
Philadelphia, PA
Controller, International Tv Production
present
  • Lead systems implementations & drive process improvements across the group
  • Responsibility for all areas of operational finance; tracking TV costs across development, production and distribution cycles; review of ultimate forecasts for revenue, participations and residuals and production costs
  • Ownership of transactional accounting for UK entities, ensuring adequate controls exist to provide accurate records and minimise risk
  • Ownership of transactional accounting for UK entities, ensuring adequate controls exist to provide accurate records & minimise risk
  • Leadership and development of the controllership team consisting of 6 UK staff and an offshore transactional service team, ensuring adequate levels of resource at all times
  • Support our international operations in Canada and Australia by providing technical and operational guidance and oversight of transactional accounting
  • Support our international operations in Canada & Australia by providing technical & operational guidance & oversight of transactional accounting
Education Education
Bachelor’s Degree in Relevant Area Preferred
Bachelor’s Degree in Relevant Area Preferred
The University of Kansas
Bachelor’s Degree in Relevant Area Preferred
Skills Skills
  • Effectively use preproduction time to achieve high-quality production output
  • Assist with mic and IFB checks
  • Set up and prepare studios for live and taped productions
  • Assist with camera blocking
  • Take direction from Show Directors in order to achieve production goals
  • Work on offline projects or the live show in the technical role assigned
  • Maintain the studio and control room by keeping the area clean and properly reporting equipment issues
  • Perform other duties as assigned
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15 TV Production resume templates

1

On Call-tv Production Technician Resume Examples & Samples

  • Work on offline projects or the live show in the technical role assigned
  • Take direction from Show Directors in order to achieve production goals
  • Set up and prepare studios for live and taped productions
  • Assist with camera blocking
  • Assist with mic and IFB checks
  • Effectively use preproduction time to achieve high-quality production output
  • Maintain the studio and control room by keeping the area clean and properly reporting equipment issues
  • Bachelor’s degree in Television or Mass Communications preferred or equivalent combination of education and experience
  • 1-3 years of live television or related experience
  • Manual camera set-up and operation
  • Understanding and execution of basic camera framing
  • Basic to intermediate knowledge of video production techniques, including: robotic camera operation, stage managing, hand held or jib camera, audio mixing, graphics operation, and video recording/playback systems
  • Ability to successfully work in a high-pressure environment both independently and with a team
  • Ability to adapt quickly to changing situations
  • Strong technical aptitude
  • Punctuality and reliable attendance
  • Dependable self-starter with a positive attitude
  • Maintain good working relationships with a diverse group of individuals and personalities
2

TV Production Accounting Specialist Resume Examples & Samples

  • Verify new vendors in television accounting systems
  • Audit invoices and purchase card envelopes
  • Process invoices, journal entries and purchase card envelopes
  • Validate credit applications for all TV productions
  • Research costs as needed for audit and other requests
  • Research and analyze vendor payments
  • Review and if necessary make changes to vendor tax forms
  • Reconcile and prepare unclaimed property reports
  • Assist Director with projects as needed
  • Bachelor’s degree, accounting or finance emphasis or related work experience
  • Production Finance Experience
  • Strong Excel skills and other Microsoft Suite skills
  • Flexibility, strong interpersonal skills and a great attitude
  • Clear, concise verbal and written communicator
  • Ability to interact with diverse groups internationally
  • Excellent presentation, communications and organization skills
  • Production accounting software knowledge including Vista
  • SAP and Vista 5 experience desired
  • Team player/Detail oriented/Self starter
  • Early morning availability
3

International TV Production Resume Examples & Samples

  • Learn about multiple WWE business units and how they all work together
  • Obtain a greater understanding of best practices in social media for brand exposure
  • Gain experience working in a professional environment with C-Level executives
  • Assistance in the operation of an edit session
  • Locating videotapes
  • Determining which video makes a good shot
  • Creating compilation reels for Producers
  • Learning how to offline edit (linear and non-linear)
  • Intern should be a college junior, senior or graduate student during the 2014 Fall Semester
  • Student must be able to provide proof of school credit eligibility (unofficial transcript, course catalog page, note from faculty advisor or career center staff) Please attach to application before completing
  • Candidate must be able to work in Stamford, CT
4

Tv Production Designer Freelance Resume Examples & Samples

  • Minimum of 3 years of experience in graphic design/production for live television
  • Ability to produce entire news story packages across multiple media platforms
  • Proficiency in Adobe PhotoShop, Illustrator and AfterEffects Vizrt 3.3 required
  • Knowledgeable of ENPS and VizRT Objectstore preferred
  • Overnight shifts availability
5

Tv Production Coordinator Play Station Vue Snei Sm Resume Examples & Samples

  • Performs 24/7 shift-coverage network surveillance or basic triage based on fundamental technical concepts
  • Responsible for coordinating, executing, and troubleshooting (when necessary) the Sony TV Live Event Blackouts and Market Protects for various regional & national networks in a 24X7 environment
  • Executes routine and documented functions in a technical area
  • Collaborates with other groups and may communicate issues or project status
  • Bachelor’s Degree in media/communications preferred
  • Technical expertise in troubleshooting broadcast/video feeds, video content, and e-commerce related issues and escalations
  • Working proficiency in Microsoft Excel, PowerPoint, Jira, or equivalent tools
6

TV Production, Originals, For-credit Intern Resume Examples & Samples

  • Enjoy our unique entrepreneurial culture within the context of a successful business environment
  • Logging interview tapes
  • Mild office duties (scanning, faxing, copies, organization)
  • Available to work 15-25 hours per week
  • Professional demeanor is essential
7

Controller, International Tv Production Resume Examples & Samples

  • Qualified Accountant (ACA, ACCA or equivalent) with significant PQE
  • An experienced controller and finance leader in an international matrix organization
  • Strong communication and interpersonal skills to effectively interact with Senior Management
  • Used to working under pressure in a high growth and fast moving environment
  • TV production and Media experience preferred
  • Strong system skills - SAP experience preferred, strong Excel
  • Process and system awareness, including the ability to identify and mitigate control weaknesses
  • Foreign currency exposure , UK GAAP and US GAAP experience
  • TV residuals and royalties experience
  • Flexible and enthusiastic self-starter
8

TV Production Specialist Resume Examples & Samples

  • Good Morning Vail – live television 7a to 10a daily - responsibilities may include studio camera operator, audio board/graphics/technical, live producing, whatever is needed during live shows
  • Assist production staff with all aspects of equipment operation, relocation, set-up and break down, transport for live and taped productions. Uphold quality standards for commercial and feature productions on all field gear
  • Plan, setup, coordinate and execute large scale live remote productions including scout locations & connectivity, coordinate all necessary equipment including rentals, crew, etc
  • Produce/Write/Shoot/Edit commercial and promotional productions
  • Produce/Write/Shoot/Edit long form content for TV8
  • Produce/Write/Shoot/Edit long form content for External Clients
  • Coordinate content for TV8’s Video on Demand Channel with Comcast
  • Research and purchase new equipment in coordination with managers, within budgetary constraints
  • Produce live and live to tape studio and remote productions as needed
9

TV Production Coordinator Resume Examples & Samples

  • Escalate complex or undocumented issues to higher level technical resources (Sr. Operations and Engineers)
  • 2+ years’ experience in a broadcast/network operations environment
  • Deep understanding of local & national blackout restrictions
  • Familiarity with content management systems, FTP sites, and VOD Distribution
10

SVP, International TV Production Resume Examples & Samples

  • Cultivate and oversee international television co-productions, both English and foreign language
  • Initiate projects, broker deals with international production companies, broadcasters, and platforms
  • Interface with cross-functional teams, departments, and senior leadership both internally and externally
  • SVP International TV Production will report to the President, International Film & TV
11

Director of Feature & TV Production Safety Resume Examples & Samples

  • Bachelor’s Degree in a safety, occupational health or industrial hygiene field preferred
  • 5-7 Years’ experience in a Safety and Occupational Health field
  • Professional designation such as CSP, CIH, OHST, CEM or other nationally recognized professional designation preferred but not required
  • Previous experience with Motion Picture and Television Production is desirable
12

Manager, TV Production Safety Resume Examples & Samples

  • This position determines which television productions on the assigned list have a higher risk potential and takes appropriate actions to increase safety factors. This position determines when a WB Safety presence is needed, how to increase production compliance with required regulatory matters, and develops relationships with production crews in order to assess their experience level and need for monitoring
  • In order to reduce foreseeable potentially hazardous activities, this position is responsible to discuss potential concerns with appropriate department heads. Concerns include: unusual locations, stunts, stunt rigging, special effects, proximity of action to actors, employees, or the public. Responsible to assess all potential hazards to employees, the public at large, and property
  • This position takes appropriate actions to increase safety on productions, based on experience and information regarding each production. Some visits are announced and others are not. When time is available and another WB production is nearby, this position maximizes opportunities to visit other crews
  • When significant last minute script changes are made impacting crew, public or property safety. These elements are to be discussed with WB Risk Management and the WB production executive. Whenever unresolved issues regarding employee safety remain a concern, this position remains on site and acts as oversight until a resolution is reached
  • This position acts as the liaison between applicable local regulatory agencies and the production crew to comply and enforce government mandates. This position will ensure WB Safety expectations are met, studio protocols are followed, required documentation is maintained, compliance with mandatory training and credentials, and will also assist with notifications required by specific States, Provinces, Agencies, and WBSF Departments. Researches shooting locations in order to ensure compliance with the US Federal; US State; or Canadian environmental regulations
  • Address and assist with agency investigations, find any problems, eliminate or minimize fines, maintain WB’s standards, and avoid repeat violations
  • Serves on the motion picture industries CSATF/AMPTP Safety Committee as well as WorkSafe B.C.'s ActSafe Committee to ensure reasonable industry approach to production related matters affecting both Management and Labor. Will gather information for use in interpreting new or proposed US Federal; US State; or Canadian regulatory standards and the effect they may have on production
  • Will stay informed and participate in pertinent technical production topics addressed by the Safety Advisory for Fire and FX in Entertainment (S.A.F.F.E.) and WorkSafe B.C.'s ActSafe Committee. Works with the Safety Pass Training Center and will review material applicable to production and ensure course content that is relevant, understandable, and achievable by production employees
13

TV Production Resume Examples & Samples

  • To obtain hands on experience in order to ready the intern for a professional working career
  • To work as part of a team to accomplish one common goal
  • Archive research
  • Student must be able to provide proof of school credit eligibility (unofficial transcript, course catalog page, note from faculty advisor or career center staff)
14

Tv-production Finance Lead Resume Examples & Samples

  • Animation and/or VFX experience strongly preferred
  • Proficiency with Excel required
  • Experience with Vista preferred
  • This is NOT a union (non-affiliate) position
15

TV Production Manager Resume Examples & Samples

  • Provide strong leadership and development across all departments, including production/creative services, Good Morning Vail producer and talent team. This requires excellent attention to detail and excellent communication skills
  • Lead creative services with potential and existing clients to create ideas and concepts and be a visionary for the customers to meet their advertising needs and objectives. Send all projects to clients for approval manage & change orders
  • Create and enhance a collaborative team brainstorming environment of and generate new ideas to provide new incremental revenue opportunities
  • Establish production timelines on all projects and manage labor to stay on budget
  • Must be proficient script writer, shooting and editing video, audio, lighting, set up, etc
  • Project Management skills -Enter projects and production requests in Basecamp Software. Track all hours for all projects on a daily basis. Provide weekly status updates on all projects, employee time / asset management and scheduling for all production projects. From Basecamp, provide monthly production billing summary
  • Work independently with limited direct supervision on all stages of production project
  • Assign all production to staff ensuring effective time management, and matching team members’ skills/strengths with appropriate project needs to guarantee best outcome
  • Hold team members accountable for a high level of professionalism at all times
  • Oversee, hire, train, provide ongoing feedback and evaluate all production and GMV staff
  • Develop relationships with customers and independent contractors, collaborate with sales on rate negotiation as needed. Attend customer meetings to provide creative input and budgeting guidance
  • Lead regular meetings with production staff and sales for project tracking, keep sales and management updated on all projects on a regular, ongoing basis. Manage billable hours and project time tracking
  • Train and coach direct reports so that they evolve as leaders and prepare them for future expanded leadership roles
  • Ongoing supervision of www.tv8vail.com including regular content updates and Comcast VOD channel content. Oversee social media and online presence
  • Manage TV8 online accounts such as Dropbox, Vimeo, etc
  • Be trained in Coupa purchasing system, expense reporting, payroll, Rundown Creator, Acuity
  • Supervises the work of direct reports, including performance management and evaluations, hiring and staffing, scheduling, and policy and procedure adherence, directly or through lead staff
  • Hold team members accountable for a high level of professionalism and following all company policies and procedures as outlined in the Vail Resorts company handbook
  • College degree - Required
  • Resort Television or small market experience - preferred
  • Must have minimum 5 years people management experience - required
  • 5 years Video production and project management experience - required
  • Must be computer savvy and comfortable learning new software programs - required
  • Good interpersonal skills required – in person, phone, electronic
  • Attention to detail is critical - required
  • Excellent Customer service skills (internal and external) - required
16

Lead Analyst, TV Production Resume Examples & Samples

  • Must be able to assist direct supervisor in training current and future L2 agents in new technologies and procedures
  • Min 2 years strong customer service experience
  • Expertise in script development and automation practices
  • Able to maintain operations in the absence of client services manager, client services liaison for designated sites
  • Able to analyze L2 reported issues and provide solutions using the most appropriate tools and processes quickly and effectively
  • Able to effectively work as a point of guidance for L2 system analysts
  • Ability to analyze requests to route/engage appropriate areas of expertise
  • Ability to take ownership of production incidents from a technical support expertise, collaborate with others on remediation
  • Ability to work flexible hours and tight deadlines, within a 24/7 environment
  • Ability to travel (minimum 5% annually)
  • Must be available to work on Saturdays when Saturday Night Life is in season
  • Ability to work within established standards and guidelines
  • MCSE desired
  • Bachelor’s Degree in Information Systems/Computer Science related field preferred
  • Strong organizational and interpersonal skills such as: persistent, client-oriented, results-oriented and accountable
17

WWE TV Production Resume Examples & Samples

  • Obtain hands-on experience in order to prepare for a professional business career
  • Scan archive for footage
  • Perform quality control exercises for various programs
  • Current college student who can provide proof of credit eligibility for the internship from his/her university/college
  • Available to work approximately 20 hours per week during WWE’s 2016 Fall Internship session (June 8th through August 17th)
  • Strong organizational, communications , and interpersonal skills
18

Tv-production Coordinator Resume Examples & Samples

  • Minimum 2-3 years of previous TV animation production experience required
  • Must have knowledge of Maya, Word, Excel, Gmail and production tracking databases
  • Knowledge of Photoshop and/or Illustrator is a plus
  • Must have solid written and verbal communication skills
  • Must have ability to multitask in a fast-paced production environment
  • BA/BS degree preferred
19

TV Production Videographer Resume Examples & Samples

  • Two years of specialized experience in studio and location videography using digital format cameras and systems
  • One year of specialized experience using non-linear editing equipment
  • A two-year degree from an accredited university in TV Production or a related Media Services field is preferred
  • Specialized experience in a media-related field can be substituted for formal education
  • Must be able to pass and maintain National Agency Check with Inquiries (NACI) background check
20

Finance Analyst, TV Production Resume Examples & Samples

  • Manage the upcoming audit process for the 4-5 UK TV Production entities. Prepare financial statements in line with UK GAP, prepare and review the audit file and be the main client contact for external auditors
  • Manage and prepare participations reporting including liaising with Business Affairs and Participations Team in Los Angeles
  • Assist FD in winding down and closure of two of production entities including transfer of assets and association participations processes to owning entity
  • Working & communication with UK TV Production staff, and employees in the shared service center, on all finance and accounting issues
  • Prepare and review monthly management reporting packages for senior management, including balance sheet reconciliations with explanations for variances to flash, budget and prior month
  • Prepare quarterly VAT returns for all TV Production companies in area of responsibility
  • Raise invoices in line with signed production agreements and being diligent in following up payment in a timely manner
  • Be familiar with production cost managers and liaise with the production accountant to fully identify costs to completion and calculate accruals
  • Act as the interface between two accounting systems ensuring that data is downloaded correctly and then uploaded in line with UK GAAP via SAP journals with auditable supporting documentation
  • Manage system and process improvements where changes are required or efficiency can be improved
  • Provide financial support to assist Head of Finance with projects, such as budget preparation, as required
  • Other ad hoc project tasks as they arise
  • Excellent communication skills, both oral and written, to a high standard of English, along with excellent analytical and organisational skills and attention to detail
  • Flexible approach as well as possessing the ability to cope well under pressure, multi-task, prioritise effectively and efficiently to ensure work is carried out accurately, in a timely manner
  • Highly proficient and proven level of IT skills including Excel, Access Dimensions and SAP
  • Knowledge of current UK GAAP and US GAAP desirable
  • The ability to demonstrate initiative and a creative approach to all aspects of the role is a must,
21

DWA TV Production Resume Examples & Samples

  • Design and create tools for use in new and existing TV productions
  • Set up FX rigs and Gizmos for use on new & existing productions
  • Define standards and techniques for new processes that will be used in production by DWATV and our Partner Studios
  • Work with FX TD’s and Leads from Partner Studios to troubleshoot issues related to DWATV FX tools that are being used in their production pipelines
  • Responsible for software testing / vetting for planned upgrades
  • Coordinate FX pipeline changes and script pushes with the CG Supervisor and Lead Technical Director
  • Document and or review documentation created by FX Artists. Workflows and processes will be documented using Camtasia video and Publisher software
  • Prefer 3-5 years’ experience in the television, feature film or gaming industries
  • Experience in Maya, Vray, Mental Ray, RealFlow, Nuke, preferred
  • Prefer 3-5 years’ experience working within a 3D production pipeline
  • Experience in Houdini is preferred
  • Python scripting experience preferred
  • Working knowledge of Linear Workflows
  • Extensive understanding of Real Flow
  • Experience with Houdini
  • May require travel to partner studios
22

TV Production Intern Resume Examples & Samples

  • Acquire knowledge in multiple areas of television production
  • Work as part of a team to accomplish common goals
  • Log interview tapes
  • Create compelling WWE superstar/match compilations for in-program use
  • Administrative office assignments (scanning, faxing, copies, phones, etc.)
  • Assist PA’s with studio shoots
  • Perform archive research
  • Available to work approximately 25 hours per week during WWE’s 2017 summer internship session
  • Strong organizational, communication and interpersonal skills
  • Proactive, self-motivated, responsible, and reliable
  • Working knowledge of Avid a plus
23

DWA TV Production Resume Examples & Samples

  • Follow instructions of supervisor
  • Resolve color problems with creative supervisors
  • Review storyboard for background key color callouts
  • Comfortable working on a Cyntiq and must be able to work digitally
  • Fulfill other color projects, including but not limited to color lead sheets, color script and/or color pass on storyboards
  • Relevant digital color experience in TV production schedule preferred
  • BA in Fine Arts or equivalent work experience highly preferred
24

DWA TV Production Resume Examples & Samples

  • Throughout production, review all aspects of animation and provide feedback in a timely manner to ensure revisions fit into production schedule
  • Ensure animation standards for style are adhered to throughout entire process and duration of the show
  • Participate in animatic reviews, board pitches and meetings. Gain understanding of the direction for each episode in early stages of development to ensure continuity through to final deliverables
  • Direct and mentor all artists (including partner studios) on the animation style for the show
  • Review designs and breakdown decisions to help direct from the front on new or reused assets (instead of noting issues once into production)
  • Have a good technical understanding of models and rigs
  • Test character rigs
  • Create pose libraries for episodic characters
  • Work with partner studios to develop and implement assets
25

DWA TV Production Resume Examples & Samples

  • Review script/animatic/breakdown list for props needed at handout of show
  • Complete all rough, revised and final designs necessary within assigned deadlines
  • If applicable, make special shadow and color indications
  • Strong prop design and construction/mechanical skills
  • Relevant drawing experience necessary
26

DWA TV Production Resume Examples & Samples

  • Design, animate, light, and composite high quality effects through to completion
  • Create reusable Nuke gizmos to work with corresponding FX rigs
  • Optimize set-ups for efficient rendering
  • Review & note rigs and gizmos submitted by our Partner Studios
  • Collaborate with the Leads and Artists in other CG disciplines to help establish processes and pipeline integration
  • Experience in Python and Particle Illusion a plus
  • Strong background in rendering. Knowledge of Mental Ray and Vray and building its shading networks
  • Experience in advanced compositing and knowledge of Nuke or other node based compositing
  • Strong aesthetic for lighting, composition, and color
  • 2-4 years experience working within a 3D production pipeline preferred
  • Experience in Television, series, or game production highly preferred
27

DWA TV Production Resume Examples & Samples

  • Work closely with the CG Supervisor, Asset Supervisor and Animation Lead at DWATV and partner studios to build rigs for characters and complex props, ensuring all deliverables align with the production’s schedule and technical specifications
  • Responsible for character set-up including rigging, weighting and skinning
  • Utilize Python scripting to implement new tools and / or techniques
  • Responsible for ensuring all deliverables are completed on time and according to production standards
  • Work closely with partner studios to ensure all Character TD work (both creative and technical) is adhered to while ensuring scheduled deadlines are met
  • Extensive Maya knowledge is a plus
  • Strong knowledge of IK and FK systems preferred
  • Experience with skin weights
  • Strong aesthetic ability
  • Strong Python and Mel scripting ability
  • Interest in custom tool creation
  • Likes to collaborate and work in a team environment
  • Ability to troubleshoot and resolve unexpected technical problems
  • Ideally 2-4 years of experience in TV animation, film, broadcast, and/or games preferred
28

Controller, International Tv Production Resume Examples & Samples

  • An experienced controller & finance leader in an international matrix organization
  • Strong communication & interpersonal skills to effectively interact with Senior Management
  • Used to working under pressure in a high growth & fast moving environment
  • TV production & Media experience preferred
  • Process & system awareness, including the ability to identify & mitigate control weaknesses
  • Foreign currency exposure, UK GAAP & US GAAP experience
  • TV residuals & royalties experience
  • Flexible & enthusiastic self-starter
29

DWA TV Production Resume Examples & Samples

  • A strong understanding of Maya dynamics. Knowledge of rigid bodies, nCloth, nParticiples, fluid systems, and soft bodies is preferred
  • Preferred understanding of Real Flow
  • Preferred background in rendering. Knowledge of Mental Ray and Vray and building its shading networks
  • Experience in advanced compositing and knowledge of Nuke or other node based compositing is a plus
  • Strong aesthetic for lighting, composition, and color is a plus
30

DWA TV Production Resume Examples & Samples

  • Responsible for the final composite and output of the animation scenes that are tasked
  • Work closely with the Lighting & Compositing Supervisor on CG shows to ensure that the shot matches the aesthetic of the surrounding scenes
  • Work on scene paint over tasks. Art work for the paint over shot are often provided by the design team but will occasionally require that the art work be created by the Digital Animator working on the scene
  • Design and create reusable character rigs that are flexible enough to be used for the duration of the series
  • Ability to rebuild, match and troubleshoot compositing and scene files from our Partner Studios
  • Collaborate with team to identify and create custom tools to help with pipeline efficiency
  • Ability to work in a fast-paced environment with tight deadlines
  • Preferred Experience in After Effects
  • Preferred Experience in Maya
  • Experience in ToonBoom Harmony a plus
  • Preferred Experience in Adobe Flash or Adobe Animate
  • Preferred Experience in a variety of animation styles
  • Demonstrated character animation skillset
  • Preferred Experience in advanced compositing and knowledge of Nuke or other node based compositing software
  • Able to work in a team environment with minimal supervision
  • Minimum of 5 years’ experience working in animation, compositing and FX preferred
  • Experience in Moho a plus
  • Experience in Unity a plus
  • Experience in LightWave3D a plus
  • Experience with JavaScript or Python a plus
31

DWA Tv-production Coordinator Resume Examples & Samples

  • Assists Production Supervisor in all evolving support needs (i.e. calendar booking, updating schedules and documents, timecard processing, reviews, expense reports, scheduling and planning career development and continued training for production and artists, overtime, weekend work, meals)
  • Manages day-to-day Nile inputs and extractions
  • Assists Production Supervisor with maintaining quotas, deadlines & inventory, ensuring departmental productivity goals are consistently met
  • Understands the department and works with Supervisor to maintain the department schedule
  • Safeguards procedures to ensure workflow from one department to the next is as seamless as possible
  • Manages the department calendar
  • Knows inventory in the department (workable / non-workable)
  • Performs artist check-ins to determine status of the work in the department
  • Effectively communicates with artists regarding timelines. Directs employees in prioritizing tasks when necessary
  • Coordinates crew meetings
  • Handles requests made by crewmembers, Directors, Department Head, Production Management and Production Supervisor
  • Takes notes during rounds and distributes information to the department afterwards
  • Provides communications to the crew via email, one-on-one meetings and during crew meetings
  • Stays abreast of issues on the floor and elevates information appropriately to Production Supervisor
  • Able to navigate the intranet and asset browser. Able to pull up shots and models, using Linux, and manages technical issues during rounds and approvals. Learns the necessary computer programs and network directory system
  • Understands the pipeline and where department fits in
  • May attend production meetings and provides departmental updates
  • Contributes information for department and production evaluations as required
  • Supports studio and production directives
  • Software requirements: Microsoft Word and Excel, Gmail and knowledge of production tracking databases
  • 2+ years of previous Feature Animation production experience required
  • Knowledge of Linux, Maya, Shotgun, Flix, Photoshop and/or Illustrator is a plus
32

DWA TV Production Resume Examples & Samples

  • Across all aspects of the storyboard and animatic process, ensure that the scope of work creatively aligns with the style and ambitions for each episode
  • Collaborating with the Supervising Producer to discuss creative ambitions for each episode. Ensure alignment before locking picture at the animatic stage
  • Work closely with each member of the storyboard team to discuss assignments needed from. Be available for questions and to monitor progress. Discuss timelines and deliverables on a regular basis and ensure quality and continuity of submissions across the team
  • Provide status updates, discuss concerns, and review potential changes with appropriate production staff on a regular basis
  • Work with story artists to fine tune or punch up storyboard and animatic as needed
  • Participate in all storyboard handout and pitches. Provide notes and ensure clarity as questions arise. Ensure notes are disseminated appropriately
  • Managing each show’s animatic at all stages including animatic pitches, revisions and lock. Ensure style and vision for the show is maintained consistently. Oversee revisions and provide notes ongoing
  • Will participate in the interviewing process as well as review portfolios and tests. Responsible for helping in recruitment process of both in house and freelance storyboard artists
  • 3-5 years’ experience as a storyboard director and at least 5 years work as a television animation storyboard artist or equivalent combination of education and experience
  • Strong background in staging, composition
  • Tremendous sense of timing and pacing of animated storytelling
  • Able to come up to speed quickly on hardware and software including knowledge of the Cintiq tablet, Photoshop, and Storyboard Pro
  • Proven ability to consistently meet deadlines and keep team on schedule
  • Proven ability to multitask and work well under pressure with all team members
33

DWA TV Production Resume Examples & Samples

  • Ideally have 2-4 years’ experience working within a 3D production pipeline
  • Strong understanding of Maya dynamics is preferred. Knowledge of rigid bodies, nCloth, nParticiples, fluid systems, and soft bodies
  • Extensive understanding of Real Flow is preferred
  • Experience in Television, series, or game production highly desirable
34

DWA TV Production Resume Examples & Samples

  • Responsible for coordinating with Modeling, Rigging, Texturing, Hair, Lighting, and Production to help ensure that all processes involved in the asset creation process come together seamlessly and efficiently
  • Responsible for bringing parallel asset creation files together into the final complete assets, apply shader networks to final finals and cleaning final files to ensure they work as efficiently as possible
  • Complete assigned tasks for Character Modeling, Environment Modeling, Rigging, Surfacing, Hair or Lighting departments dependent on your identified CG specialty
  • Ideally 1-3 years’ experience working within a 3D production pipeline
  • Preferred knowledge of Maya, and meet required production deadlines
  • Prior experience working in a fast paced production environment is a plus
35

Director, TV Production Safety Resume Examples & Samples

  • This position determines which productions on the assigned list have a higher risk potential and takes appropriate actions to increase safety factors. This position determines when a WB Safety presence is needed, how to increase production compliance with required regulatory matters, and develops relationships with production crews in order to assess their experience level and need for monitoring
  • This position takes appropriate actions to increase safety on productions, based on experience and information regarding each production. Some visits are announced and others are not. When time is available and another WB production is nearby, this position maximizes opportunities to visit other crews. This position may be assigned work outside the US
  • This position is familiar with critical aspects of filmmaking including camera positioning, framing, visual effects, POV, FX equipment, and routine stunt parameters and appropriate safeguards. With minimal impact to the production, this position is able to work effectively with Production to alter scene elements to reduce perceived risk by management, cast or crew
  • This position must have the ability to show great flexibility and problem-solving skills. When significant last-minute script changes are made impacting crew, public or property safety, these elements are to be discussed with WB Risk Management and the WB production executive. Whenever unresolved issues regarding employee safety remain a concern, this position remains on site and acts as oversight until a resolution is reached
  • This position acts as the liaison between applicable local regulatory agencies and the production crew to comply with and enforce government mandates. This position will ensure WB Safety expectations are met, studio protocols are followed, required documentation is maintained, compliance with mandatory training and credentials, and will also assist with notifications required by specific States, Provinces, Agencies, and WBSF Departments. Researches shooting locations in order to ensure compliance with the all environmental regulations
  • May serve or participate on the motion picture industry’s CSATF/AMPTP Safety Committee and other committees to ensure reasonable industry approach to production related matters affecting both Management and Labor. Will gather information for use in interpreting new or proposed State regulatory standards and the effect they may have on production
  • Will stay informed and participate in pertinent technical production topics addressed by the Safety Advisory for Fire and FX in Entertainment (S.A.F.F.E.). Works with the Safety Pass Training Center and will review material applicable to production and ensure course content that is relevant, understandable, and achievable by production employees