TV Editor Resume Samples

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N Sanford

Nash

Sanford

495 Cummings Trail

Chicago

+1 (555) 281 8240

495 Cummings Trail

Chicago

Phone

p +1 (555) 281 8240

Experience Experience

Phoenix, AZ

Managing Editor Whio-tv

Phoenix, AZ

O'Conner-West

Phoenix, AZ

Managing Editor Whio-tv

Help guide TV staff in journalism best practices and content showcasing
Use metrics and research for planning and execution of content to increase audience for both newscasts and our digital products/social media accounts
Communicate individual and team goals clearly
Manage TV staff effectively to enterprise strong unique local content and meet deadlines
Plan and share content across platforms of TV, Print, Radio & Digital
Coordinate and share resources with other managers and facilitate teamwork
Facilitate solutions to challenges and employee innovation

Boston, MA

Kids TV / Music Editor

Boston, MA

Nitzsche LLC

Boston, MA

Kids TV / Music Editor

Develop and maintain a strong relationship with Vevo and find ways to improve the service for our customers
Works collaboratively with key interfaces and stakeholders
Create collections to drive value from library titles and demonstrate the strength/breadth of our offering
Meet VOD partners on a quarterly basis and attend wider marketing/commercial meetings
Content Partner Relations
Responsible for the overall look of content on the STB
A good contacts book within the Kids TV and music space

present

Los Angeles, CA

Camera Editor, Fibe TV Halifax, Bell Media

Los Angeles, CA

Langworth, Will and McDermott

present

Los Angeles, CA

Camera Editor, Fibe TV Halifax, Bell Media

present

Provide field lighting and audio set-up for EFP shoots
Consults with Producers, on-air talent and Production personnel to provide creative input to the production of items
Edit various EFP shoots, visuals, reports and other material requested by the editorial department
Thorough knowledge of video and audio signals and their routing
Shoot and edit interviews, documentaries, sports, and lifestyle programs in a variety of styles
Prepare, align, set up, carry and operate a ENG & EFP camera for field reports and live productions
Valid driver’s license

Education Education

Bachelor’s Degree in Creativity

University of Oregon

Bachelor’s Degree in Creativity

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15 TV Editor resume templates

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Freelance TV Graphics Editor Resume Examples & Samples

Proven experience in graphic design/production for live television
Proficiency in Adobe Photoshop, Illustrator and AfterEffects Vizrt 3.3 required
Knowledge of ENPS and VizRT Objectstore preferred

Managing Editor, Maker TV Resume Examples & Samples

Define, oversee, and execute the content programming strategy, including the content schedule and editorial calendar, on Maker TV
Work with vertical leads to define and implement the best user experience from a programming perspective
Maintain established programming on Maker TV to align with the overall brand, voice, and tone established for each vertical
Work with Studios, Audience, Partnerships, Marketing and other related teams to coordinate efforts on programs in development which will eventually launch on Maker TV
Participate in the development of branded entertainment opportunities for Maker TV in conjunction with the Sales Packaging team, including “built if sold” concepts, event activations, brand integrations, custom solutions, etc
Participate in industry and consumer facing events in assigned areas of content as needed
Track and maintain overall site performance in order to grow overall viewership across all site experiences and channels
At least 8-10 years of prior hands-on programming, editorial, strategy, and/or operations experience in media with a focus in digital or video
Ability to work well with other department members
Flexibility and adaptability to handle changing market conditions and workload
Thrives under pressure and enjoys working in a high-intensity environment and meeting tight deadlines
Reads widely, creative, resourceful, team player, excellent interpersonal skills

TV Editor Resume Examples & Samples

Recent & relevant live TV newsroom producing and editorial experience in business and financial news, including control room show elements
Knowledge of financial markets and business news
Strong writing, video and video editing, and digital integration skills
Flexibility with hours and ability to work a rotating shift (am/pm/overnight) is required

Non Linear Editor Bell Local Tv Ottawa Resume Examples & Samples

Edit stories and programs in accordance with staff needs and specifications, while maintaining high technical standards
Work with staff to provide them with a high quality of service and excellent finished product
Effective operation and use of broadcast hardware including Avid and After Effects non-linear editing softwares, audio consoles, waveform monitors, and vectorscopes
Working in a networked environment, audio mixing and color correcting
Train and supervise Bell Local volunteers
A post-secondary education with emphasis on technical and production standards is preferred, as well as a high degree of creativity and organizational skills
Minimum 3 years’ experience in non linear and advanced television production techniques is required
Excellent editing skills, particularly on Avid and FinalCut Pro Systems
Awareness of important community based stories & events
Ability to effectively use Avid-Plugins
The ability to work independently in a fast paced environment under strict deadlines
Experience in training others an asset
Fluently bilingual in French and English

Supervising Editor, TV / Digital Resume Examples & Samples

University degree in a related field
At least 5 years in an international news environment, knowledge of newsgathering and production procedures
Demonstrate an ability to work across multiple platforms
Strong editorial abilities, competitive attitude, and clear and constructive communicating skills are essential to this position
Field Safety and the well-being of the teams on assignment are inclusive of the supervisor s responsibilities

Wjla-tv / Newschannel News Program Editor Resume Examples & Samples

Editing video for daily special news programs, special projects, and sweep period pieces
Collaborating with anchors, producers, and mangers on video elements of special news programming
Knowledge of Harris Velocity editing technology is a definite plus

Chief Editor Wgcl-tv, dba CBS Resume Examples & Samples

50% -Oversee editing staff and oversees daily operation of content editing
40% -Performs editing functions in support of new news department
10% -Oversees editing system maintenance
Must possess effective interpersonal skills
Advanced knowledge of AVID editing systems required
Must possess good story telling and communications skills
Good sense of timing and pace is also required
Ability to teach and lead departmental staff
Must be available to work a flexible schedule

Animatic Assistant Editor, TV Resume Examples & Samples

Responsible for importing and generating a rough assembly cut of the episode based on the storyboard and script with emphasis on timing
Ensure that the rough assembly is reviewed and approved by the lead editor
Ensure that quality issues and clarity are adhered to for sound. As needed, add temporary sound effects and music from approved sound libraries
Create shipping animatic output from locked animatic project for timers and partner studios. The shipping animatic includes scene numbers and footage count
1 – 2 years editing experience on Premiere or Avid
Working knowledge of Storyboard Pro and Flix is useful
BA in Film preferred, or equivalent experience/education

Associate TV & Features Editor Resume Examples & Samples

Interviewing a huge range of TV talent
Identifying and delivering fascinating, must-read real-life stories
Coming up with fresh ideas to ensure we stay ahead of our rivals

Tv-emr / Dialogue Editor Resume Examples & Samples

Create an edit master record (EMR) of episode’s dialogue based on circle take notes and Director’s input
Review all recorded lines for clarity and potential quality issues; notify Recording Engineer and appropriate Production Staff of any issues
Review EMR and/or pick-ups with Director and other creative supervisors
Distribute EMR and any revised EMRs to appropriate Production Staff
Make and maintain a library of alternate takes, walla and other lines for future use
Pre-spot episodes using the character library you have built and host ADR spotting sessions with Director and other creative supervisors
Edit dialogue recorded for pickups and/or ADR
Cut in ADR, ensure proper sync, clean dialogue in preparation for mix
Review episodes with Director and other creative supervisors once all dialogue is recorded and finalized: distribute to appropriate staff and post house(s)
Meet deadlines; alert Production Staff immediately if deadlines are in jeopardy
1 – 2 years editing experience on ProTools version 11 or higher
Ability to work under tight deadlines and high pressure
Strong time management skills; excellent multi-tasker, must be extremely organized and take direction well
Prefer a current member in the Editors Union (700) but not a necessity until hired
BA/BS in Film or related field preferred, or equivalent combination of education and experience

Tv-animatic Editor Resume Examples & Samples

Responsible for generating a rough assembly cut of the episode based on the Director’s notes and vision
Ensure that the rough assembly is reviewed and approved by Director and other creative department heads. Generate notes and apply to ensure that animatic pitch timing is accurate
Ensure that quality issues and clarity are adhered to for sound. As needed, add temporary sound effects from sound libraries
Ensure appropriate production crew members are aware of the temp music, sound requests and any quality issues
Participate in animatic pitch sessions and maintain responsibility for all revisions to animatic
Work with Director to intake animatic notes, provide revisions, clarify feedback and generate an output of the locked animatic and prepare for shipping to vendor studios
Create outputs of pitch animatic and locked animatic for shipping to partner studios
Ensure production staff is made aware of pickup lines and scratch dialog
Create edit list as a reference for partner studios to ensure timing is accurate
Ability to work in high-pressure environment under tight deadlines

Managing Editor Whio-tv Resume Examples & Samples

Manage TV staff effectively to enterprise strong unique local content and meet deadlines
Help guide TV staff in journalism best practices and content showcasing
Oversee short- and long-term planning for content (breaking news, enterprise and investigation) and drive team coverage of big breaking stories and severe weather
Use metrics and research for planning and execution of content to increase audience for both newscasts and our digital products/social media accounts
Plan and share content across platforms of TV, Print, Radio & Digital
Coordinate and share resources with other managers and facilitate teamwork
Facilitate solutions to challenges and employee innovation
Motivate, coach, develop and keep staff focused to ensure excellent performance
Manage and review performance, and address quality and productivity performance issues
Create development plans to help staff embrace strengths and challenges, and share and grow their abilities
Manage anchor and reporter work schedules and requests for time off
Hold staff accountable for content that is balanced, fair, accurate and complete, incorporating where appropriate, a diverse range of sources

Kids TV / Music Editor Resume Examples & Samples

Responsible for the overall look of content on the STB
Create new/exciting ways to present content and improve customer experience
Maintaining key editorial documents to track content exposure and lead on-air promotions
Ensure content is live in a timely manner and presented impeccably
Create collections to drive value from library titles and demonstrate the strength/breadth of our offering
A thorough understanding of how social media works and how it can be applied to a pay-TV environment
Content Partner Relations
Meet VOD partners on a quarterly basis and attend wider marketing/commercial meetings
A good contacts book within the Kids TV and music space
Harbour good relations to maximise value from deals
Develop and maintain a strong relationship with Vevo and find ways to improve the service for our customers
Content Strategy
Have knowledge of Kids TV content and a good understanding of contemporary pop music and the music industry works
An understanding of all TV industry developments with a particular focus on the opportunities afforded by 4K UHD
Identify content opportunities
Insight
Absorb information from reports
Track usage of each genre and identify opportunities or risks
Help develop the Qlikview app through requirement gathering
Strong stakeholder management skills
Works collaboratively with key interfaces and stakeholders
Understanding of the TV entertainment space, content life cycle, programme suppliers, digital channels digital consumer behaviours
Understanding of Digital and Entertainment consumer needs and behaviours
Ability to work with PowerPoint and Excel
Must be comfortable learning and using publishing systems and have a basic knowledge of Photoshop

Camera Editor, Fibe TV Halifax, Bell Media Resume Examples & Samples

Shoot and edit interviews, documentaries, sports, and lifestyle programs in a variety of styles
Prepare, align, set up, carry and operate a ENG & EFP camera for field reports and live productions
Edit various EFP shoots, visuals, reports and other material requested by the editorial department
Consults with Producers, on-air talent and Production personnel to provide creative input to the production of items
Provide field lighting and audio set-up for EFP shoots
Excellent videotape editing skills, particularly in a server based environment
Thorough knowledge of video and audio signals and their routing
Good editorial skills
Proven ability in a high stress News environment
Must be able to work well under pressure of tight deadlines
Ability to work independently when assigned
Post-secondary education in broadcasting or a related field is required
Minimum 3 years editing experience in a news environment
Minimum 3 years E.F.P. shooting/lighting experience
** Please forward your demo link to John Buffone at: John.Buffone@bellmedia.ca

Assistant Avid Editor, TV Resume Examples & Samples

Responsible for setup and management of Avid projects on PC-based Media Composer and Symphony systems
Importing shots and animatic materials using a file based workflow for use in assembling shows on both 2D and 3D CG productions
Export sequences through various stages of the Post Production pipeline to multiple QuickTime formats
Import and cut in scene updates
Perform tasks on AVID ISIS Products to include media management of workspaces and basic maintenance such as deleting precomputes and organizing media
Assemble and update show credits using Photoshop and Avid MC
Will need to be very organized and capable of multi-tasking as they will be receiving requests from multiple parties, often simultaneously
Must be an independent, self-starter who can also work well within a team
Excellent interpersonal and verbal communication skills
Comfortable working in fast paced environment and operating with a sense of urgency
Knowledge of video post production is preferred
Experience with Non-linear editing software is preferred
Experience with AVID Media Composer/Symphony is a plus
1-2 years of TV Animation workflow experience is preferred

Assistant Editor, TV Resume Examples & Samples

Importing shots and animatic materials using a file based workflow
Perform tasks on AVID ISIS/Nexis Products to include media management of workspaces and basic maintenance such as deleting precomputes and organizing media
Assemble and update show credits using Photoshop, Avid MC and After Effects
Responsible for timely shipping of deliverables and outputs references as needed
Create and deliver Video Master for color correction, audio playback from final mix, titling and formatting
Assess and perform Quality Control fixes as needed for final delivery to Netflix
Identify and perform Harding fixes as required to complete a PASS certificate
May be asked to run Avid review sessions with Directors and Producers when show editors are unavailable
Independent, self-starter who can also work well within a team
Experience with Avid editing software is required
Familiarity with Adobe Creative Suite is preferred
Experience with AVID Symphony is a plus
2-3 years of TV Animation workflow experience is preferred

Compliance Editor, TV Networks Resume Examples & Samples

Viewing of material to identify segments that may breach local broadcast regulations in our destination markets
Carry out video and audio edits to remove non-compliant segments and create new master copies suitable for broadcast
Work with Channel teams to ensure the finished edits fulfil the editorial policies of the channels
Identification of technical QC failures, and where appropriate, repair of these segments
Mark key points in the edited versions, to identify technical moments in the programme, for example: commercial breaks, end of opening credits, start of closing credits
Enter compliance and transmission information into Sony Pictures’ MediaCentre application, or equivalent reporting documents
File format (GOP structure, bit-rate, wrapper, codec, chroma subsampling)
Macro blocking
Artefacts induced during transfer from VT, frame rate conversion, size or bit-rate conversion
Field dominance issues
Chroma/luminance levels
Aspect ratio discrepancies
Flashing/strobing
Frame slicing
Audio levels to EBUR128 recommendation
Wide dynamic range
Audio distortion, clipping, phasing and dc offset etc
Strong experience of Adobe Premiere editing
Strong understanding of Adobe Audition or other audio editing software
A solid understanding of broadcast video technology, video formats (ideally within a tapeless post production workflow) and the post production broadcast chain
Experience of working in a high-volume environment and working to broadcast deadlines
Excellent organisational skills and attention to detail
The ability to keep a cool head under pressure and work independently
Demonstrable previous experience in a compliance-viewing role
Abreast of changes in editorial, technical & legal affairs associated with broadcast standards
Typically minimum of 2 years’ experience in a broadcasting related environment